Ed Miliband won praise for his “One Nation Labour” speech at his party conference in the UK this week but...
"One Nation", something blue, borrowed from a speech given by Tory leader Isaac Disraeli in 1872, is an attempt to abandon Old and New Labour ideologies for a New New Labour principle.
Miliband, keen to shake off the "Red Ed" socialist tag, has an idea of unifying the broad Labour church with his New New Labour theme.
His idea, as he has made clear since the beginning of the year, is to scramble for the centre ground. It’s a battle to win the "squeezed middle"; those people, I presume who are on the right of the party.
I believe this is likely to alienate ethnic minorities, who are among Labour's most loyal working class supporters.
One reason that pops to mind is the thought that this New New Labour might be a rejuvenation of the obsolete and discredited faction called Blue Labour. One nation, the slogan of libertarian Conservatives, was used 46 times by Miliband.
He says he is offering 50 per cent of young people who do not go to university the chance to study rigorous vocational qualification called technical baccalaureates. Most black voters place a high value on education. So, this policy would be favoured by us.
But we are wary of what Labour revisionist Maurice Glassman, the godfather of Blue Labour, is saying. That university should not be for all…This is the same Glassman who advocates a freeze on immigration in place of a policy that only lets into Britain a very few highly skilled migrants.
Any ideology that pushes this sort of blue politics moves Labour further to the right and will therefore alienate black Britain which has traditionally been on the left.
“One Nation is incredibly important to us as a country and us as a party,” Ed told party members at conference which took place in Manchester this month.
The Labour leader, who impressively delivered a 65 minute speech with no notes, said: “Old Labour is not going to answer the challenges we face because it can't stand up for the whole country. But nor is New Labour, because it was too silent about the responsibilities of those at the top and too timid when it comes to the vested interests of our country."
He warned: "There will be many cuts [in public expenditure] that this government made that we won't be able to reverse even though we would like to."
Miliband got a standing ovation and even his critics called it one of his best speeches since he was elected leader of the party in 2010. But I, a young Labour activist, was not fazed by it all. The party should not be too concerned about winning the squeezed middle; instead Miliband should look to strengthen our core supporters, the working class.
By chasing after the "squeezed middle-class", Miliband is abandoning his core voters. Most black voters fall under the working class category.
If he thinks "One Nation Labour" is the answer then he should be making a scramble for the working class vote and not the "squeezed middle", whose natural home is either the Liberal Democrats or Tories.










Thomas L. Blair is a sociologist and political blogger on the Chronicleworld 'for creative renewal in Black Britain and Afro-Europe'. His work is honoured in the British Library's archive of "social, historic and culturally significant web-based material from the UK domain". He won top prize in the blogging competition on The-Latest.
Sumantra Maitra is a freelance journalist from Mumbai, India. He is a correspondent for All Sports magazine, and a foreign affairs blogger for the Washington Examiner. He has written articles for news website Merinews.com and other regional publications. Sumantra runs a blog at DailyWorldWatch.wordpress.com. He provided exclusive eyewitness reports for The-Latest on the Mumbai bombings of 2008.
Brian Usher is photography consultant for The-Latest.Com. He is a highly experienced editorial and commercial photographer whose work has been published throughout the world, appearing in many well known magazines and newspapers. Brian has featured in several books and has been a writer for the Royal Photographic Society magazine.
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